#nakedandafraid


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asreoninfusion:

So, I realised I never posted any photos from when I went to Scotland a few months back now. I started going through my pictures, and I found this.
LOOK AT HOW CUTE AND FLUFFY AND ADORABLE THE BABY COOS ARE OMG I WANT TO CUDDLE ONE ;w;
Highland cows are best cows <3

asreoninfusion:

So, I realised I never posted any photos from when I went to Scotland a few months back now. I started going through my pictures, and I found this.

LOOK AT HOW CUTE AND FLUFFY AND ADORABLE THE BABY COOS ARE OMG I WANT TO CUDDLE ONE ;w;

Highland cows are best cows <3

Source: asreoninfusion

elizakaze:

Based on [x]

hot fuzz and puns are my official weaknesses

Source: elizakaze

Source: spookyteenidle

the-fandoms-are-cool:

sistercrow:

lokanemandi:

stormcloak:

Clifford the big red dog by *sandara

OH MY GOD

Can we have a Clifford live action movie?  Not a kids movie either. 
Like, Emily Elizabeth’s parents are working for a government agency developing a super soldier serum.  None of their testing is working and they start testing the serum on larger mammals in hopes of seeing better results.  They inject a variety of animals, including a dog.  Nothing.  They are desperate and on the verge of having their project shut down when they notice one of the test dogs is pregnant.  It gives birth and they bring one of the puppies home for their daughter.
To their shock, the puppy they brought home starts to grow at an incredible rate, its fur mutating into a brilliant red as it does so.  They are ecstatic because their research has finally seen a result, albeit one they weren’t expecting.  There is only one problem.
Clifford has become attached to Emily and refuses to leave her side.  Emily, too, has fallen in love with her new pet.  They decide to let their project be canceled rather than try to separate the two.  Unfortunately, the government discovers their secret and begins a campaign to retrieve Clifford at any costs.  During the initial conflict, Emily Elizabeth’s parents are killed trying to help her and Clifford escape.  Emily and her dog flee into the wild.  This sets the opening of the movie.
Over the course of the movie, Emily and Clifford are on the run and we see Emily grow into a young woman, everything about her honed into a survivalist expert.  She and Clifford roam the backwoods, constantly in fear of being captured.  On one of her rare trips into town one day, Emily witnesses a bank robbery in progress involving multiple hostages.  She calls Clifford and the two of them save the lives of the hostages but wreck the bank in the process.  The local news capture footage of Clifford and it isn’t long before the military arrives in town.
Emily wants to just run away again, but she sees that the military is destroying the town, driving people out of their homes and destroying property in their search.  She decides that enough is enough and rides Clifford back into town and fights the military.  Amidst the fighting a huge truck arrives.  A general (who was her parent’s superior officer) gets out and smirks.  He tells Emily Elizabeth that Clifford’s mother wasn’t the only animal that gave birth to a litter of babies after receiving an injection.  The back of the truck unfolds to reveal a massive tabby cat.  The cat strains against its bindings and tears free, immediately leaping onto a nearby group of soldiers and devouring them.  Emily is horrified and orders Clifford to attack.
What follows is the dramatic battle between Clifford and the mutant cat.  Clifford has strength, but the cat is too fast and agile.  It looks like Clifford is down for the count, when the townsfolk, recognizing that Clifford is on their side, come to his aid.  They distract the cat long enough for him to finish the beast off for good. 
The military retreats, the general swearing vengeance on the two of them, and Emily and Clifford ride off into the night once more.  But the legend of the big red dog has already started.  And Emily Elizabeth knows that the day will come when she and Clifford will need to ride into battle against the forces of evil once more.
The credits roll.
Post credits, the screen fades to black for a moment.  The sound of waves crashing on shore fills the air.  The screen flashes brilliant white.  The light of the lighthouse moves on, revealing a rocky shore on a rainy day.  The camera pans down to find Clifford and Emily gazing out to sea.  A massive object hangs in the air off the coast, obscured in the clouds.  A smaller object rapidly approaches them.  It resolves itself into an advanced helicopter that silently lands just down the shore from them.  Clifford lets out a low growl but Emily quiets him with a hand on his leg.  A lone figure emerges from the aircraft, huddling his arms around himself to fight off the cold.
He approaches the two.  His hair is short and somewhat curly.  He wears glasses and a grey flannel shirt and seems unlikely to pose a threat to the two.
“Emily Elizabeth,” he says over the sound of the crashing surf, “I worked with your parents.  It’s taken us a while to find you, after the Birdwell Island incident.”
“And who exactly is ‘us’,” she responds, eyes narrowing suspiciously.
Ignoring her question, the man continues.  “Me and Clifford have a lot in common, actually.”  He smiles a little awkwardly, then presses on.  “I was hoping you might be interested in meeting my boss.  He’s fairly excited to talk with you.”
“You still haven’t answered my question.  Who are you and who do you work for?”
The man smiles.  “My name is Banner.  And I’m hear to talk to you about the Avengers Initiative.”

how long did you even spend writing this for that fucking twist ending because my friend you are one devoted fan

the-fandoms-are-cool:

sistercrow:

lokanemandi:

stormcloak:

Clifford the big red dog by *sandara

OH MY GOD

Can we have a Clifford live action movie?  Not a kids movie either. 

Like, Emily Elizabeth’s parents are working for a government agency developing a super soldier serum.  None of their testing is working and they start testing the serum on larger mammals in hopes of seeing better results.  They inject a variety of animals, including a dog.  Nothing.  They are desperate and on the verge of having their project shut down when they notice one of the test dogs is pregnant.  It gives birth and they bring one of the puppies home for their daughter.

To their shock, the puppy they brought home starts to grow at an incredible rate, its fur mutating into a brilliant red as it does so.  They are ecstatic because their research has finally seen a result, albeit one they weren’t expecting.  There is only one problem.

Clifford has become attached to Emily and refuses to leave her side.  Emily, too, has fallen in love with her new pet.  They decide to let their project be canceled rather than try to separate the two.  Unfortunately, the government discovers their secret and begins a campaign to retrieve Clifford at any costs.  During the initial conflict, Emily Elizabeth’s parents are killed trying to help her and Clifford escape.  Emily and her dog flee into the wild.  This sets the opening of the movie.

Over the course of the movie, Emily and Clifford are on the run and we see Emily grow into a young woman, everything about her honed into a survivalist expert.  She and Clifford roam the backwoods, constantly in fear of being captured.  On one of her rare trips into town one day, Emily witnesses a bank robbery in progress involving multiple hostages.  She calls Clifford and the two of them save the lives of the hostages but wreck the bank in the process.  The local news capture footage of Clifford and it isn’t long before the military arrives in town.

Emily wants to just run away again, but she sees that the military is destroying the town, driving people out of their homes and destroying property in their search.  She decides that enough is enough and rides Clifford back into town and fights the military.  Amidst the fighting a huge truck arrives.  A general (who was her parent’s superior officer) gets out and smirks.  He tells Emily Elizabeth that Clifford’s mother wasn’t the only animal that gave birth to a litter of babies after receiving an injection.  The back of the truck unfolds to reveal a massive tabby cat.  The cat strains against its bindings and tears free, immediately leaping onto a nearby group of soldiers and devouring them.  Emily is horrified and orders Clifford to attack.

What follows is the dramatic battle between Clifford and the mutant cat.  Clifford has strength, but the cat is too fast and agile.  It looks like Clifford is down for the count, when the townsfolk, recognizing that Clifford is on their side, come to his aid.  They distract the cat long enough for him to finish the beast off for good. 

The military retreats, the general swearing vengeance on the two of them, and Emily and Clifford ride off into the night once more.  But the legend of the big red dog has already started.  And Emily Elizabeth knows that the day will come when she and Clifford will need to ride into battle against the forces of evil once more.

The credits roll.

Post credits, the screen fades to black for a moment.  The sound of waves crashing on shore fills the air.  The screen flashes brilliant white.  The light of the lighthouse moves on, revealing a rocky shore on a rainy day.  The camera pans down to find Clifford and Emily gazing out to sea.  A massive object hangs in the air off the coast, obscured in the clouds.  A smaller object rapidly approaches them.  It resolves itself into an advanced helicopter that silently lands just down the shore from them.  Clifford lets out a low growl but Emily quiets him with a hand on his leg.  A lone figure emerges from the aircraft, huddling his arms around himself to fight off the cold.

He approaches the two.  His hair is short and somewhat curly.  He wears glasses and a grey flannel shirt and seems unlikely to pose a threat to the two.

“Emily Elizabeth,” he says over the sound of the crashing surf, “I worked with your parents.  It’s taken us a while to find you, after the Birdwell Island incident.

“And who exactly is ‘us’,” she responds, eyes narrowing suspiciously.

Ignoring her question, the man continues.  “Me and Clifford have a lot in common, actually.”  He smiles a little awkwardly, then presses on.  “I was hoping you might be interested in meeting my boss.  He’s fairly excited to talk with you.”

“You still haven’t answered my question.  Who are you and who do you work for?”

The man smiles.  “My name is Banner.  And I’m hear to talk to you about the Avengers Initiative.”

how long did you even spend writing this for that fucking twist ending because my friend you are one devoted fan

Source: drthmaul-moved

these-lumping-lumps:

Somebody posted these all around school, and now I know what it feels like to be proud of ones school.

these-lumping-lumps:

Somebody posted these all around school, and now I know what it feels like to be proud of ones school.

Source: these-lumping-lumps

zodiacbaby:

here’s some burning sage to cleanse ur blog of bad energies 

zodiacbaby:

here’s some burning sage to cleanse ur blog of bad energies 

Source: zodiacbaby

marauders4evr:

Halloween just wouldn’t be the same without Tim Burton

(From top to bottom: Beetlejuice, The Nightmare Before Christmas, The Corpse Bride, Alice in Wonderland, Sleepy Hollow, Edward Scissorhands, Sweeny Todd, Dark Shadows, Frankenweenie)

Source: marauders4evr

thievinggenius:

Done by Jayme Goodwin. (in progress)
@jaymegoodwinart

thievinggenius:

Done by Jayme Goodwin. (in progress)

@jaymegoodwinart

Source: thievinggenius

genderoftheday:

Today’s Gender of the day is: Cruising for a bruising
(source)

genderoftheday:

Today’s Gender of the day is: Cruising for a bruising

(source)

drakatha:

withelephantsandcoffee:

spcsnaptags:

wolvensnothere:

kurtiswiebe:

This perfectly summarizes why I love the Simpsons and hate Family Guy. 

Yup.

So this.

I watched that episode with my family and I could just feel how uncomfortable everyone was. Honestly, it was a really jarring, unpleasant episode.

Homer is a terrible dad. So is Peter. But Homer’s saving grace has always been that he tries—he’s bad at it and he fucks it up a lot, but he loves his family and he wants to be better than he is.

One of my favorite Homer moments is in “Diatribe of a Mad Housewife.” Tl;dr Marge writes a steamy romance novel starring herself and Ned, and when Homer finds out, he chases down Ned and, rather than attack him, asks him to teach him how to be a better husband.

There’s some part of his stupid self that wants to do better.

I never got that impression with Peter. Instead, the family has gotten more and more abusive towards Meg. It’s really unsettling for me when I started realizing that’s what happens sometimes in abusive families. Abusers sometimes single out one child to abuse, and quite often the other family members take the abuser’s side. After all, it’s easier to side with an abuser than to run the risk of becoming the target yourself.

There’s never really a point where it seems like Peter cares at all that his shitty behavior impacts his family. It actually seems to have gotten worse over the years. He expects everyone to clean up his messes because that’s always what happens; there’s really no reason for him not to be shitty.

And it’s easy to see how Meg is affected. She doesn’t have much of a character, really, because so much her screen time is devoted to being abused. The bits of character development all seem to hinge on her being this sad, neglected person who’s trying her best but never really gets any help from anyone. Quite the opposite; there have been a lot of episodes where her family sabotages any attempts to be herself.

It can be easy to forget how awful this behavior is when the only context is the show itself (frankly, everyone on Family Guy is kind of terrible). Seeing it played against the Simpsons, who are a flawed and dysfunctional but ultimately loving family, was painful to watch.

Omg it was a funny episode -_- if you don’t like it, don’t watch. Yes, you have a valid point, but holy crap.

HAHA OKAY NO

"If you don’t like it shut up and don’t watch it" has its place. This is not it. Allow me to educate you on why you’re wrong.

Family Guy is a detriment. Plain and simple. Vox wasn’t too far off when they called this show “a blight on humanity”. Yeah, it has its moments where a couple of the quips they make get a laugh out of the audience. The show having long since lost its funniness isn’t the issue.

Everything this show stands for is absolutely sickening, and its more prominent in this episode than it has been in years. 

Literally everything wrong with Family guy is jam packed into this episode. Here’s a list of just some of the things I can rattle off the top of my head.

It’s generally just unpleasant. There are a lot of moments that stood out in this episode as being really fucking awful, even by Family Guy standards (Stewie kidnapping/torturing people and telling Moe his daughter is being raped as a “prank call”, Meg carving Lisa’s name into her arm, etc). Family Guy has a nasty habit of thinking shocking/disturbing = funny. It doesn’t. It’s just unpleasant and not fun to watch.

The gags are unfunny/drag on for too long. This happens in almost every modern FG episode, but it’s really bad in this one. (The car wash scene, Homer and Peter’s fight, and just the majority of the episode really).

MacFarlane is using this series as a means to jerk himself off. The amount of self gratifying bullshit that Seth threw into Simpsons Guy was nausea inducing. The entire first—what, ten minutes of the episode was about how everyone calling out MacFarlane on his racist, sexist, and generally awful bullshit are, in his eyes, a load of oversensitive braindead idiots with no senses of humor. There are ways to respectfully make jokes about awful subjects. South Park does it all the time. Family Guy does not. Not only that, but MacFarlane plugs his other shows left and right and even goes so far as to shit on Bob’s Burgers—an INFINITELY superior show—in order to fuel his own ego. He’s a LITERAL MANCHILD.

Now, let’s get to the big issue. Family Guy’s messages are absolute trash, and the fact that it still makes money means that PEOPLE ARE BUYING IT. This show’s morals are just horrific. “Sexism is what makes men men” (I Am Peter, Hear Me Roar), “Abuse victims should stay in abusive relationships for their abusers’ benefits (Seahorse Seashell Party), and that’s definitely not the worst of it. This show is teaching its primary audience everything that is wrong with society. It doesn’t matter that these ass backwards lessons are being told in the form of jokes, they’re still normalizing and enforcing ideas that NEED TO STOP.

And the only way they’re gonna stop is if we raise fucking hell about it.

Also, no. It was not a funny episode.

Source: fyspringfield.com